REFLECTION OF THE IMAGES OF THE NATIONAL PICTURE OF THE WORLD IN THE POETRY OF OLZHAS SULEIMENOV

Abstract

The article examines the ethnic distinctness of works by translingual authors within the value paradigm of the national worldview. It explores the concept of the “national view of the world” through traditionalism and dynamism, and addresses transculturalism and translingualism, focusing on the ethnic self-identification of bilingual and multilingual authors. The study analyzes the notion of “image of linguoculture” and highlights the significance of Kazakh linguocultural images in conveying national content and values. Based on Olzhas Suleimenov’s poetic discourse, the research reveals linguistic and cultural images that reflect fragments of the Kazakh national worldview. The article presents these images in lyrical texts, showcasing national customs, historical past, folklore, literature, proper names, and traditional Kazakh life, including cuisine, clothing, and crafts. The analysis demonstrates that the translingual poetry of this modern Kazakh literary classic shapes the cultural value paradigm of the Kazakh national worldview.